Jack Canon's American Destiny

Broken Pieces

Showing posts with label Memoir. Show all posts
Showing posts with label Memoir. Show all posts

Friday, December 26, 2014

Cheryl Rice on Writing "Where Have I Been All My Life" @RiceonLife #AmReading #Memoir #Women

What Inspired Me to Write"Where Have I Been All My Life"

One life changing event and three simultaneous inner urgings inspired me to write my book, Where Have I Been All My Life? A Journey Toward Love and Wholeness.

The life altering event was the swift, merciless death of my mother – who happened to also be my best friend – when she was an otherwise robust and healthy 68 years old and I was 45. I was completely unprepared for life without her. Her death broke me open in unprecedented, yet ultimately life-affirming, ways.

While I was mired in grief, and playing all sorts of grief games in an effort to stay connected with her, I also felt compelled to live more boldly, authentically and vibrantly than I ever had before. Even though I had always prided myself on living with intention and enjoyed setting and reaching challenging goals, there were a few dreams, like writing a book, that I had been too scared and overwhelmed to tackle. But in the wake of my mom’s death there was no time for just thinking about “tomorrow” or relegating my long buried dream to “someday.” My someday was now.

The second thing that inspired me to write my book was a deep, intrinsic desire to produce something that would outlive me. While I had two wonderful stepchildren and a puppy I treated as my baby, I hadn’t yet truly offered the world something tangible that would endure. And now I had a fierce longing to give creative birth to something that would speak for me when I was gone – something that would be part of my legacy.

The third thread of inspiration for my book came from a yearning to find and validate my own voice. Ironically, as a professional leadership and life coach I was comfortable and competent helping others, especially women, claim and cultivate their own voice yet I had been remiss in doing the same for myself. Coming from a family of writers (but never identifying as one myself), I always knew that writing was a wonderful way of clarifying and cleansing one’s thoughts, but beyond penning some bad adolescent poetry and keeping journals episodically throughout my life, I never took myself or my writing seriously. That changed once my mother died, my heart broke, and my time and need for self-inquiry and validation burst forth.

Lastly, I had a strong desire to reach out and connect with other people, women in particular, who were struggling with similar issues. Issues like self-acceptance, using longing as a substitute for loving, and overcoming the loss of a loved one. Reading books, especially stories of personal resilience written by women, had always been a comfort and balm to me. Through the brave and honest stories of other women I found strength, companionship and validation. My loneliness or isolation would lift, even for a bit, and my fortitude and hopefulness would be reignited. Also, since I adore championing women, writing a book felt like a natural and necessary vehicle to connect with them on both a deeper and broader level and to inspire those who are on a similar journey toward love and self-acceptance.


Where Have I Been All My Life

Where Have I Been All My Life? is a compelling memoir recounting one woman’s journey through grief and a profound feeling of unworthiness to wholeness and healing. It begins with the chillingly sudden death of Rice’s mother, and is followed by her foray into the center of mourning.

With wisdom, grace, and humor, Rice recounts the grief games she plays in an effort to resurrect her mother; her efforts to get her therapist, who she falls desperately in love with, to run away with her; and the transformation of her husband from fantasy man to ordinary guy to superhero. In the process, she experiences aching revelations about her family and her past—and realizes what she must leave behind, and what she can carry forward with her.

Buy Now @ Amazon
Genre – Memoir
Rating – PG-13
More details about the author
Connect with Cheryl Rice through Facebook & Twitter

Saturday, November 8, 2014

Documentary Filmmaker @TheobaldSprague Opens Up About Adventure & Writing #Memoir #TBR


How do you work through self-doubts and fear?
QUIET TIME. I'VE ALWAYS FELT, EVEN AS A KID, THAT FOR THE MOST PART WE HAVE ALL THE ANSWERS THAT WE NEED BUT WE JUST DON'T KNOW IT OR HAVE NEVER HAD THE OPPORTUNITY TO PUT THEM INTO WORDS. I DISCOVERED 'QUIET TIME' (NOT PUNITIVE QUIET TIME!) WHEN I WAS ABOUT TEN FOR THAT IS WHEN I TRY TO LISTEN TO WHAT IS GOING ON DEEP INSIDE OF ME, AWAY FROM THE NAGGING NEGATIVE VOICES AND SELF DOUBT. THE ANSWER MIGHT BE AS SIMPLE AS FINDING A SMILE WITHIN, BUT THAT SMILE HAS GOTTEN ME THROUGH THICK AND THIN FOR THAT SMILE IS ME APPROVING OF ME!!

What scares you the most?
FAILURE TO REACH MY POTENTIAL REGARDLESS THE ARENA. WHETHER IT'S BEING WITH MY KIDS, LEARNING SOMETHING NEW OR FACING A DAUNTING TASK. MANY TIMES IN FACE OF FEAR I MIGHT BACK AWAY AS I'M AFRAID OF A NEGATIVE OUTCOME, BUT IF I SUMMON UP MY INNER STRENGTH, TRY NOT TO LISTEN TO THE FALSE FEARS AND GIVE THE SITUATION ALL THAT I HAVE, I STAND MY BEST CHANCE AT REACHING MY POTENTIAL. IT'S ONLY IN HINDSIGHT THAT I CAN SEE I DIDN'T REGARD MY POTENTIAL AND THAT'S USUALLY WHEN I'M THE HARDEST ON MYSELF.

What makes you happiest?
A HAPPY OUTCOME, A BABIES' LAUGHTER, BEING AT PEACE WITH MYSELF AND NATURE AT HER FULLEST AND MOST BEAUTIFUL.

What’s your greatest character strength?
THAT'S A HARD ONE… PERHAPS MY BUILT IN BLINDERS TO OBSTACLES AND THE WILLINGNESS TO TRY AND PERSEVERE REGARDLESS THE ODDS. OPTIMISM.

What’s your weakest character trait?
I CAN BE VERY, VERY HARD ON MYSELF.

Why do you write?
I HAVE NO IDEA! PERHAPS IT'S TO GIVE VOICE TO ALL THOSE SCENARIOS AND IDEAS INSIDE OF ME. WRITING ALSO TAKES ME TO A PLACE NOTHING ELSE CAN. I LOVE THE FEELING OF SITTING DOWN TO WRITE FRO WHAT I THOUGHT WAS AN HOUR WHEN IT WAS ACTUALLY FOUR!



TheOtherSideOfIce

TO WATCH THE OFFICIAL HD TEASER FOR "The Other Side of The Ice" [book and documentary] PLEASE GO TO: VIMEO.COM/45526226) 

A sailor and his family's harrowing and inspiring story of their attempt to sail the treacherous Northwest Passage.

Sprague Theobald, an award-winning documentary filmmaker and expert sailor with over 40,000 offshore miles under his belt, always considered the Northwest Passage--the sea route connecting the Atlantic to the Pacific--the ultimate uncharted territory. Since Roald Amundsen completed the first successful crossing of the fabled Northwest Passage in 1906, only twenty-four pleasure craft have followed in his wake. Many more people have gone into space than have traversed the Passage, and a staggering number have died trying. From his home port of Newport, Rhode Island, through the Passage and around Alaska to Seattle, it would be an 8,500-mile trek filled with constant danger from ice, polar bears, and severe weather.

What Theobald couldn't have known was just how life-changing his journey through the Passage would be. Reuniting his children and stepchildren after a bad divorce more than fifteen years earlier, the family embarks with unanswered questions, untold hurts, and unspoken mistrusts hanging over their heads. Unrelenting cold, hungry polar bears, and a haunting landscape littered with sobering artifacts from the tragic Franklin Expedition of 1845, as well as personality clashes that threaten to tear the crew apart, make The Other Side of the Ice a harrowing story of survival, adventure, and, ultimately, redemption.

Buy Now @ Amazon
Genre – Memoir, adventure, family, climate
Rating – PG
More details about the author
 Connect with Sprague Theobald on Facebook Twitter

Saturday, September 27, 2014

INSIDE/OUTSIDE by Jenny Hayworth @JennyHayworth1 #Abuse #Memoir #AmReading

The breathing is what I remember noticing first. Heavy, rapid, and sharp intakes of breath increasing in volume as whoever it was came closer. It struck me as odd in the library setting I was in, sitting at a computer. I looked up from processing my Internet banking and hesitated.
Then I heard a female voice speaking rapidly and heard fear and panic intermingled in her words. “Someone tried to abduct her. He had her by the arm and on the ground.” The voice rose in volume. I stood up as the breathing became louder and laced with sobs, and a stab of pain went through my chest and caught there within a block of fear as I recognised the sobs were coming from my eleven-year-old daughter, Rose. She suddenly materialised, walking out from an aisle to the right of me, with a lady alongside her, holding on to her.
Everything then erupted.
Rose, the instant she saw me, became hysterical, screaming out, “Mum, Mum.” She took great gulps of breath, and the only clear words I could hear as she forced them out of her lungs, which were constricted by a lack of oxygen and panic as she hyperventilated and collapsed on the ground in front of me, were, “Man….He was touching me, Mum….I couldn’t get away.” I was holding on to one side of her, with the lady I didn’t know on the other side, trying to pull her up.
“Mum, my legs don’t work,” Rose said. She was heavy in my arms. A chair appeared in front of us by the information desk, and we half dragged and half carried Rose the last few feet to sit on it. I stood up and kept my hand on her shoulder.
People were moving around, appearing in front of me and disappearing. I could hear voices around me, but wasn’t aware of their meaning. It must have been only a couple seconds, but it felt like minutes until a lady tapped me on my shoulder. She had two policemen by her side. Suddenly all the sounds and voices became louder and clearer to me, and I was conscious of all the people looking at us. I felt like we had to get away.
“Please, can we move somewhere more private?” I asked, and this time all the held-back emotion came through me and sounded in my voice. I nodded to the doorway I thought led to the sorting room.
“Yes,” said the lady.
I remembered my handbag with everything in it next to the computer about ten feet away. I said, “I just have to get my bag,” and I ran back and grabbed it.
I was conscious of about four other people at each side of me and behind me, staring at their screens and typing. As much as I was grateful that they didn’t meet my eyes or speak to me, as I wanted to rush as quickly as I could, I was also silently asking myself, What are they thinking? Why aren’t they talking to me? Do they blame me? And the huge question, What happened? I could feel my face burning and my heart pounding as I turned and ran back to Rose.
We walked through the door into the back room, and I felt the relief of not being on public view. I could feel that Rose was starting to shake all over. I wanted to pull her onto my knee and hold her and ask her what had happened, but I didn’t.
We sat down at someone’s desk, and papers and items were moved from in front of us. I put my bag on the floor, under the legs of the chair, and suddenly a librarian appeared and said, “Sorry, but we need to ask you these questions quickly so we can try to catch him. What was he wearing? What did he look like?”
Rose said, “His hands were dirty and felt rough on my legs.” She started crying. “He was kissing me all over and on my neck, and I kept telling him to stop, and he wouldn’t.”
The minute she said his hands were rough, I went cold all through me. When I had been assaulted as a child, one of the main things I remembered at the time was how sharp his fingernails had felt and how dirty his hands had been.
It was all swirling around in my head, emotions from past and present. My own emotions and awareness of them and my awareness of my daughter’s emotions and how I needed to keep mine in check for her. The heaviness and weight in my chest tightened, and my head felt light and dizzy.
Someone called out that a librarian had chased him, and they had the registration number of his car. I immediately felt so relieved and grateful for whoever had done this, as I knew it could make a big difference in catching him. Two other women came over with the police and sat down next to us. One of them was about seventeen years old and was crying. They introduced themselves as Julia and Candice, and the older lady said, “Candice saw what happened. She called out to me, and when I came around the corner the man started pulling on Rose’s arm and trying to drag her with him. Then he dropped her and ran out the door.”
Then one of the police said, “We need to speak to Rose on her own and take a statement.” The librarian showed them the kitchen next to us, and they went in there with Rose. It didn’t feel right letting her go in with them on her own, but when she hesitated and looked nervous, one said to her, “It’s all right. Your Mum is right next door, and you can go back to her as soon as we have finished speaking with you.” I gave Rose a quick kiss and hug, and she went with them through the door.
When the door shut, and I was left with Candice and Julia, I asked them, “What did you see happen?”
Candice said, “I came around the corner and looked up, and I saw Rose crouching on the floor with her arms over her head. The man was leaning over her, and she was saying, ‘Leave me alone, leave me alone.’ I first of all thought he was her Dad, the way he had hold of her, but something didn’t feel right or look right about it. He said to me, ‘What are you looking at?’ and I looked away, but Rose was crying. I just called out, ‘Mum’ as she was in the next aisle. Mum came around the corner, and I started to cry and point. The man was dragging Rose by the arm toward the door. He looked up and saw my Mum, and both of us called out, ‘Hey,’ and he dropped Rose’s arm and started to run out the door. A librarian heard us both call out and saw the man run and Rose on the ground, and she chased him out the door.”
I thanked Candice and her Mum repeatedly for what they had done and for helping Rose. I said to Candice that if she hadn’t come around the corner when she did and taken notice of her gut feeling that something wasn’t right, who knew what might have happened.
When Rose at last came out of the staff kitchen after having given her statement to the police, I was so relieved to see her again. She seemed calmer. She sat next to me and smiled, and laid her head on my shoulder.
Candice said, “Are you all right, love?”
Rose said yes and smiled at them and me.
She told me he kept kissing her neck and face, and his hands were all over her breasts and legs and up her skirt. He kept saying something under his breath like, “So beautiful, so beautiful….” Then she started crying again. I felt like crying, but nothing would happen.
I just held on to her. I felt sick and upset and angry and in shock. I couldn’t believe this had happened to my girl, and even more, going through my head was the question, “Why Rose?” Why, out of all the people in the library, did he have to pick on Rose?
She was the only one out of my three eldest children who had not been sexually abused, and now she had. It seemed unbelievable, especially as it was ten o’clock in the morning, and we were in a public place. We had to keep waiting in the library until police took all the statements from everybody concerned. Rose had to walk the police through the library and show them exactly where everything had happened. They took her books, which the man had held on to, for fingerprinting reasons, and that upset Rose again as she had been looking forward to reading the ones she had chosen. The police surveyed the closed-circuit television camera footage and identified the man walking directly behind Rose and me as we had entered the library, and following her as she went to the young-adult section.
We both were hungry, and the police let us walk over to the shopping centre, which was five minutes away, to buy something to eat and come straight back. Once we were in the mall, I noticed Rose’s head moving around, looking everywhere, and she clung to my hand tightly.
“What happens if we see him, Mum?” she whispered to me with tears running down her face.
I held her hand tightly and said, “He can’t hurt you anymore. I am here, and he would run a mile if he saw you now, as he would know he is in trouble.”
When we were standing in line, people were walking past behind her and bumping into her. She kept grabbing me; she was terrified. I was so upset and angry that this man, a stranger, had in one instant taken away her sense of safety in the world. Her ability to stand in a public place and feel safe and not worry about whether someone would grab her or touch her inappropriately had disappeared.
After we walked back to the library, we had to go down to the police beat for Rose to describe the man to a sketch artist, who would do a “wanted” poster from it. After we had done that, we were allowed to go home. By that time it was nearly three in the afternoon. We had been at the library since ten that morning. Both of us were exhausted. I had rung Rose’s Dad and arranged for him to go pick Thomas from school, and to let him know what had happened. It was a boiling-hot day. We had parked just down the road from the library, and as we got back into the car to start it, I couldn’t help but think how much had changed from when we had parked it there that morning.
Then the car wouldn’t start.
I turned the key in the ignition for half an hour. Both of us sat in the car with sweat pouring down our faces and backs as the sun poured in the windows and I tried to start it. I felt like bursting into tears. I wanted a cold drink, and I knew Rose did too, but I had no money left to buy one. I desperately wanted friends and family around for support.
Eventually the car started, and we drove home.

***Award winning book (finalist) in 2014 Beverley Hills International Book Awards***
Jenny Hayworth grew up within the construct of the Jehovah’s Witnesses, which she describes as a fundamentalist cult-like religion. She devoted her life to it for over thirty years. Then she left it. The church “unfellowshipped” her-rendering her dead to those family and friends still committed to the church.Hayworth is a sexual abuse survivor. The trauma changed her self-perception, emotional development, trust, and every interaction with the world.
Inside/Outside is her exploration of sexual abuse, religious fundamentalism, and recovery. Her childhood circumstances and tragedies forced her to live “inside.” This memoir chronicles her journey from experiencing comfort and emotional satisfaction only within her fantasy world to developing the ability to feel and express real life emotion on the “outside.”
It is a story that begins with tragic multigenerational abuse, within an oppressive society, and ends with hope and rebirth into a life where she experiences real connections and satisfaction with the outside world.
Those who have ever felt trapped by trauma or circumstances will find Inside/Outside a dramatic reassurance that they are not alone in the world, and they have the ability to have a fulfilling life, both inside and out.
Foreward Clarion Review – “What keeps the pages of Hayworth’s life story turning is her honesty, tenacity, and sheer will to survive through an astounding number of setbacks. Inside/Outside proves the resilience of the human spirit and shows that the cycle of abuse can indeed be broken”
Kirkus Review – “A harrowing memoir of one woman’s struggle to cope with sexual abuse and depression while living in – and eventually leaving – the Jehovah’s Witnesses”
Readers Favourite 5 Star Review – “The book is an inspiring story for those who are going through traumatic times…”
Buy Now @ Amazon
Genre – Memoir
Rating – PG-13
More details about the author
Connect with Jenny Hayworth on Facebook & Twitter

Thursday, September 18, 2014

The Newbies Guide to Surviving Bad Reviews with Amy Lewis @AmyLewisAuthor #AmWriting

The newbies guide to surviving bad reviews

It was already a bad day when I read her review, only half paying attention to the words, because it was 6 am, and I had not slept well. I got a full three sentences in before I realized, "Wow, this lady really hated my memoir." Not only is she trashing my writing, she's trashing me, and not so subtly accusing me of lying. She suggested not everything in my memoir really happened to me. Despite the good reviews that had been rolling in, as a first time indie author, I could not stop thinking about this lady who hated my book. I knew I shouldn't care. I knew as an artist I put my work out there and welcome good and bad feedback. Art is subjective. I know that. But still my mind obsessed. If my book had been fiction maybe her review would be easier to take. She thinks my heroine sucks - no problem. But this was a memoir. She was basically saying "you're worthless, your story is worthless and you should have written it in a diary and kept it to yourself." Ouch. I googled how to deal with bad reviews. I visited sites that list all the horrible reviews that famous, award winning books received. I laughed and felt in very good company ... but only slightly. I was not a famous writer. I’m guessing bad reviews don't hurt as much when you're sitting on a pile of money and holding your Pulitzer Prize.  I considered writing her back. I know this is a huge no-no. I found myself reduced to age 11 and wanted to say horrible and childish things to her. I came up with many creative insults, but I kept them to myself.

It took a few days for me to cool down and begin to see the bigger picture. I finally got my "aha" moment as people like to say. This lady's review actually could be a huge gift. Huge! I should actually be thanking her.  I have struggled all my life with people pleasing and holding my self-expression back to fit in and be liked. I learned from a young age to read people and give them what they wanted, what would make them happy. I've been aware of my accommodating tendencies for decades, but breaking out of them has been a challenge. The more I relaxed and let go of my anger, the more I smiled when I thought of this book-hating lady and her nasty review. Someone doesn't like me or my book. Big f-ing deal. My world didn't shatter. I didn’t stop breathing. In fact, nothing happened. There is nothing wrong with hating someone's memoir, and there is no crime in sharing in vivid detail your feelings in a book review. I even began to smile at how much she must dislike me to take the time to write that particular review.

The real problem here is not the review or the fact that I got upset. The real problem is when I or when any writer, artist or human chooses to stay silent, to not play the game of expressing what is inside that screams to come out, just because we are afraid we won't be liked or accepted. The world does not need any more people like that. The world needs bold artists whose desire to express and create is way bigger than their fears of how their work will be received. I am happy and proud to say I am one of those artists. And this bad review helped me to realize that.

I leave you with one tip for dealing with bad reviews. When all else fails, get a copy of the Frozen soundtrack, crank up Let It Go and belt it out along with Idina Menzel ...

Let it go, let it go
And I'll rise like the break of dawn
Let it go, let it go
That perfect girl is gone!

Here I stand
In the light of day
Let the storm rage on,
The cold never bothered me anyway!

whatFreedomSmellsLike

Diagnosed with Borderline Personality disorder, Amy struggled with depression and an addiction to sharp objects. Even hospitalization didn't help to heal her destructive tendencies. It took a tumultuous relationship with a man named Truth to bring her back from the depths of her own self-made hell.Amy's marriage to dark, intriguing Truth was both passionate and stormy. She was a fair-skinned southern girl from New Orleans. He was a charming black man with tribal tattoos, piercings, and a mysterious past. They made an unlikely pair, but something clicked. During their early marriage, they pulled themselves out of abject poverty into wealth and financial security practically overnight. Then things began to fall apart.

Passionate and protective, Truth also proved violent and abusive. Amy’s own self-destructive tendencies created a powerful symmetry. His sudden death left Amy with an intense and warring set of emotions: grief for the loss of the man she loved, relief she was no longer a target for his aggression.

Conflicted and grieving, Amy found herself at a spiritual and emotional crossroads, only to receive help from an unlikely source: Truth himself. Feeling his otherworldly presence in her dreams, Amy seeks help from a famous medium.

Her spiritual encounters change Amy forever. Through Truth, she learns her soul is eternal and indestructible, a knowledge that gives Amy the courage to pursue her own dreams and transform herself both physically and emotionally. Her supernatural encounters help Amy resolve the internal anger and self-destructive tendencies standing between her and happiness, culminating in a sense of spiritual fulfillment she never dreamed possible.

An amazing true story, What Freedom Smells Like is told with courage, honesty, and a devilishly dark sense of humor.
Buy Now @ Amazon
Genre – Memoir
Rating – PG-13
More details about the author
Connect with Amy Lewis through Twitter

Saturday, June 21, 2014

#Memoir #Excerpt - A LADY IN FRANCE by Jennie Goutet @ALadyInFrance #Women

The new house felt like The Chronicles of Narnia, with its walk-in closets and hiding spaces. I even pretended that by pushing through the coats in the deep closet, I would be able to enter a new land of magic. But my fingers touched the wall every time.
There were three floors, plus a basement full of nooks and crannies. We had a backyard, and then what we called the “way back.” Even the “way back” had a “way back” because the fence was broken down, and we could run for a distance in a wooded area before seeing the backs of neighboring houses. There was the loft above the garage, with a ladder in the shed to climb up. And there were the cubby holes cut out of the flimsy plywood walls in the attic—the cut-out sections matching the wall perfectly, and held in place by a couple of nails. There were closets upon closets (oh, how one misses that living in France), and there were even large drawers in the hallway where we used to keep our dirty clothes to be washed, and sometimes stow away in when playing hide-and-seek.
Since the house was somewhat run-down, we renovated the rooms in a joint family effort, thoroughly gutting and re-doing one room each summer. My father and brother pounded the plaster until it fell off the lath board onto the floor. Then we all scooped it up with snow shovels, put it in boxes and carried it outside to be picked up by the garbage truck. My father redid the wiring behind the walls, and worked alongside my brother as they nailed up fresh sheetrock, applied joint compound, then sanded and painted the room.
My mother stood outside in the sun with the baseboard and window trim balanced on two sawhorses. She burned the paint with a small electric grill, and scraped it off the wood—the old, cracked paint now bubbling and pliable. Then she sanded and painted everything so that the trim was smooth and white. When everything was in place—the trim, the freshly painted walls, the new outlets—the room became a blank canvas, ready to tell the story of our family with all the things we put in it. In this way, we conquered the house, one room at a time, and put our stamp on it.
We went to “the Farm” each week, which was forty-five minutes away. There we borrowed land from a friend so we could grow vegetables and freeze them for the winter. Jeff threw green beans at Mark to tease him while we were picking and weeding until my father yelled, “Knock it off!” and we all suppressed our giggles. When the four of us were released from our duties, we ran through the tall grass, coming out of it with our pants wet from the spit bugs.
“He’s around the bend!” I yelled to Jeff as I dodged Mark’s grasping hands in our game of chase around the house—little kids against the big kids. “Stephanie’s around the corner!” my brother yelled back, laughing. These were the names we made up for specific areas of our house so that we could warn each other of where we might get caught.
Stephanie and I played dolls and pretended our bed was a boat, a safe haven from the waters surrounding it. Jeff and Mark experimented with the tape-recorder, recording funny voices and loud burps and their own laughter. The four of us played together, swinging around the six white columns on the front porch, and building lean-tos in the back with the extra planks of wood lying around. And in the winter, we all went outside after school to the “way back,” which was set on a hill. There we navigated our sleds around the trees, laughing gleefully as we zipped over the snowy moguls before skidding into a halt against the fence at the bottom.
We stayed there until it was dark, sometimes lying quietly on our sleds, looking upwards at the black branches set against the purple sky, feeling the snowflakes settle softly on our faces. Eventually it started to get too quiet, too cold and dark, and we deposited our sleds in the shed next to the garage and traipsed towards the house, my mother’s face framed by the light of the kitchen window as she prepared dinner.
At the symphony, the tuning ‘A’ caught my attention every time as the discordant sounds of all the instruments playing independently fell obediently in tune with the principal violinist. We were at the concert hall often, sometimes as much as once a week, and the space felt like a second home. When Jeff won a local competition at the age of sixteen, to appear as a guest pianist alongside my father’s symphony, I sat, breathless in excitement and anxiety, as he played Rachmaninoff’s “Third Piano Concerto.” He looked so small as he walked across the stage, but he confidently flipped the back of his suit jacket before sitting on the bench, after which he rattled the difficult piece off flawlessly.
I always felt privileged as we wound our way down the box seats after the symphony concert had concluded, taking the back stairwell with everyone else, but turning to the private door that accessed the backstage. There my father joked with the other brass players light-heartedly, showing us a side of him we rarely saw at home. Everyone called each other by their nicknames: Stevie, Brucie, Johnny, Dougie, Petey… Do you think classical musicians are serious? They are not—at least not the brass.

At seventeen, Jennie Goutet has a dream that she will one day marry a French man and sets off to Avignon in search of him. Though her dream eludes her, she lives boldly—teaching in Asia, studying in Paris, working and traveling for an advertising firm in New York.
When God calls her, she answers reluctantly, and must first come to grips with depression, crippling loss, and addiction before being restored. Serendipity takes her by the hand as she marries her French husband, works with him in a humanitarian effort in East Africa, before settling down in France and building a family.
Told with honesty and strength, A Lady in France is a brave, heart- stopping story of love, grief, faith, depression, sunshine piercing the gray clouds—and hope that stays in your heart long after it’s finished.
Buy Now @ Amazon
Genre – Memoir
Rating – PG-13
More details about the author
Connect with Jennie Goutet on Facebook & Twitter

Tuesday, January 28, 2014

#Author Tami Urbanek On What Inspired Her To #Write Her #Book @tamiurbanek

What Inspired Me to Write My Book
My book is a memoir and I never really thought I would write my story. It especially was not on my mind when I was experiencing the pain of my first marriage and then later my daughter’s adolescence! During that distressing period, all I was trying to do was survive.
As I began making my way out of my hurt and fear and I was seeing results in my own healing process, a few friends wanted to know how I did it: How I helped my daughter start moving past her anger at her father and to begin embracing her life. I had to think what did I do to start that process?
My change was my inspiration. If I could move past my own fear and help my daughter heal her male abandonment issues-her anger at her biological father and embrace her son, then I could write a book showing those steps. My difficulty became in how do I share my story?
I was able to quickly write out my abusive year-long first marriage that occurred at age eighteen, my experience as a financially struggling single mother, my second husband who became my rock, my advancement in education and becoming an award winning teacher, changing professions to medium/clairvoyant work, my daughter’s painful adolescence, and her son who came into our lives. That was easy. What wasn’t easy was refining it, fine-tuning it, making it GOOD! No, not good. Excellent! I needed help, so I sought out an editor.
My editor made me dig into my own emotions to pry out those painful years as a teenage bride in an abusive marriage. She made me dig into the fear and frustration around my own teenage daughter’s choices that mimicked mine from years before. I had to recall old memories and feelings and be able to translate that on paper for anyone to feel and understand too.
As the editing process took on a life of its own, my book did so too. I felt inspired to share about why bonding with our children is of the utmost importance as a parent. I wanted to share with the world how important our children are and how much love can be passed between parent and child. My daughter’s growth and my grandson became my inspiration.
LovingConor
Broke, with a month-old baby, nineteen-year old Tami Urbanek walks away from an abusive marriage only to find herself wallowing in anxiety and confusion, wondering how she will survive. At the time, she had no idea that the journey in front of her would guide her so far away from fear of financial survival and instead would push her into the realm of healing and spirituality. 
As the daughter of internationally renowned medium, Hossca Harrison, Tami seeks the assistance of her loving parents and a spiritual teacher named Jonah. With their help, she begins to understand herself and her daughter, whose adolescent path of destruction threatens to tear apart their relationship. As Tami's own clairvoyant abilities surface, she is challenged with the task of helping not just her daughter, but the child that her sixteen-year old daughter is carrying: a child whose painful past life still haunts him and which must be resolved before his birth. Told with humor, insight and honesty, Tami's story challenges readers' minds as it touches their hearts, and when the last page is turned, it is a story not easily forgotten.
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Genre - Memoir
Rating – PG-13
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