Jack Canon's American Destiny

Broken Pieces

Monday, November 18, 2013

Talion by Mary Maddox @Dreambeast7

Rad had decided Whistler would be his last victim. Whistler had died in Rad’s foyer. The parquet floor had to be torn out and burned, and blood sanded off the underlayment. The wallpaper had to be steamed and scraped from the wall. Every trace of Whistler had to be erased before Rad could bring in workmen to redo his foyer.

When the cops showed up at his office at the university, Rad told them what they would have found out anyway. Robert Whistler had been his student. Yes, he and Whistler had a few beers together. He described an unhappy, confused young man whose disappearance was sad but hardly surprising. “I don’t know what he’s looking for,” Rad said, easing Whistler into present tense. “I don’t think he knows.”

He could have said anything, but clichés worked best on those idiots. He’d known both of them since third grade. Later they would refer to Rad by his childhood nickname, Radish, and snuffle with laughter.

“To your knowledge was he using drugs?” Dave Reynolds asked. Dave used to call Rad mama’s boy and tit-sucker and taunt him for not fighting back.

“He talked about pot,” Rad said. “I never actually saw him smoking it.”

Facing his old schoolmates, their ugliness stark in the office fluorescence, he relished the paradox of his childhood weakness. It protected his strength. In a town like Richfield, where folks never change and you’re only a stranger once, the cops know who the killers aren’t.

Their questions turned to Whistler’s friends. It became apparent they suspected those losers of operating a drug cartel and believed Whistler had met his end in a dispute over methamphetamine. Rad helped them along by implying Whistler had been afraid of their prime suspect. That got them going. Dave pumped his hand and thanked him for his cooperation.

Rad still wondered how Whistler found the article in The St. Louis Post-Dispatch. He couldn’t have been a subscriber. And unless he was looking, he easily could have missed the generic homicide story or failed to recognize the girl he’d seen only once in a bar on Laclede’s Landing. The blurry black-and-white photo negated her most striking feature, her cinnamon hair. It was a disappointment to Rad, who hadn’t been able to take Polaroids of their encounter. All he had were yellowed newspaper clippings and a lock of that hair.

Whistler hadn’t seemed suspicious before he showed up that night in late January. “Yo,” he said when Rad opened the door.

“Robert. It’s been awhile.”

Whistler shuffled in without waiting for an invitation. He reeked of beer. He stopped in the middle of the living room and thrust the folded newspaper at Rad. “Recognize her?”

Rad thought of her raw whisper, her lips reduced to meat, begging him. Please kill me, please just kill me. She still turned him on. “It’s late, Robert. What’s this about?”

“The girl in St. Louis, she disappeared that night you hooked up with her.”

Rad glanced at the photo. “It’s not the same girl.”

“It’s her,” Whistler said. “Could be you’re the last one to see her. You better talk to the cops.”

Rad scanned the article. Before their St. Louis excursion, he’d dreamed of making Whistler his protégée, but the moment for revealing himself had never come. Now he saw how dangerous the dream had been. “The body was found in Illinois, Robert.”

“So?”

“She must have gone out again after our—encounter.”

“I went to your room at four in the morning” Whistler said. “Guess what, you weren’t there.”

“I was sleeping, Robert.”

He had no one to blame but himself. Sometimes he savored the loneliness of his life, but when the darkness was more than he could endure, he yearned for another pair of predator’s eyes to confirm its harsh and absolute reality. His friendship with Robert had grown from his own weakness. Now he was paying. The dumb redneck would go to the cops sooner or later.

“I’ve still got her number,” Rad said. “Let’s call and ask her if she’s dead.”

Whistler looked at him with dull suspicion.

“Come up to my office. The number’s in my Rolodex.”

Leading the way upstairs, Rad considered the situation. Whistler was fifteen years younger, two inches taller, and outweighed him by twenty pounds. He might be drunk, but he wasn’t afraid to fight. If he got the chance.

Halfway up the stairs, Rad spun and slammed his forearm into Whistler’s face, then delivered a sharp kick to the knee. Whistler tumbled down the stairs and sprawled in the foyer, motionless. Then he stirred and raised himself onto his elbows.

A jackknife open and ready, Rad straddled him, leaned one knee hard into his spine and yanked a fistful of hair to expose the scrawny throat. Whistler’s ponytail made it easy. Rad wore his hair like a Roman soldier, cropped, so it wouldn’t give the enemy a handle.

He ditched the jackknife afterward. For years he’d carried it around to cut rope or trim an occasional branch, never dreaming his life would depend on it someday. The four-inch blade was long enough for slitting throats, but it could have been sharper. Its edge seemed to bounce off Whistler’s resilient flesh. Rad was forced to keep pressing and sawing deeper until the skin gave way to sinew underneath. Then came a mess of blood, the dark smell.

Whistler thrashed convulsively. Clawing and plucking at the knife. Lunging with his heels, pummeling Rad’s thighs, swiping at his groin. Several times the blade was knocked from its track or lost traction and slipped. Rad wrenched Whistler’s head further back and twisted until the tortured neck groaned. The dying body has a thousand voices.

Rad kept sawing at the carotid artery. He wasn’t enjoying himself. It wasn’t like doing a girl—slow, elegant recreation. It was work, like chain-sawing tree stumps or hacking holes in rocky ground. Afterward he needed ibuprofen for the bruises and abrasions. His left wrist, wrenched during the struggle, had to be wrapped in an elastic bandage.

Then the cleanup, all night and the next day without sleep. After emptying Whistler’s pockets he wrapped the body in old shower curtains that he kept in the garage to use as drop cloths. He taped the edges so that no trace of death leaked into his car trunk.

Whistler’s Pontiac was blocking the driveway, so he dealt with it first. He wasn’t worried about anyone seeing the car. The yard was cloaked by trees, and students visiting their friends in the neighborhood often parked where they didn’t belong. Stowing his mountain bike in the Pontiac’s backseat, Rad drove across town to Whistler’s Automotive, the garage where Robert worked for his father and uncle. The peaked hood of a parka shielded his face, but nobody saw him. Nobody was walking around in the freezing night.

The car reeked of beer and marijuana. Empty aluminum cans rattled in the backseat. Rad began to shiver, his jaw twitching and molars drumming. It wasn’t fear. Just cold and aftershock. The rush of killing, usually pleasurable, had gone bad.

He parked behind the garage among the cars waiting to be picked up or serviced. Searching the Pontiac’s interior with his pocket halogen flashlight, he gathered up another section of The St. Louis Post-Dispatch and stuffed it inside his parka, then checked the ashtrays for cigarette butts that weren’t Whistler’s brand. He could imagine Robert cruising with his buds, smoking weed and running his mouth. But nothing in the car suggested any confidential parties lately.

He skirted a floodlight to reach the garage’s rear entrance and tried several of Whistler’s keys. In a minute he was inside an office redolent of metal and grease. His flashlight skittered over a desk sloppy with piled-up work orders, coffee cups, and stacked boxes of auto parts. He drew a breath. No lingering odor of beer or recent smoke here. Whistler hadn’t partied in the garage that night, as he sometimes did.

It took more than chance to account for Rad’s luck. Events fell into place like expressions of his will.

Drinking with a friend, Whistler might have talked about Rad and the missing girl. But everything pointed to his being alone—driving somewhere and parking and downing several cans of beer while he brooded. He probably had mentioned the St. Louis trip to some of his buds and maybe his parents. But Rad was safe as long as nothing connected him to the girl with cinnamon hair.

His muscles howled with exhaustion as he cycled home. Blasts of frigid air stung his face. It was three in the morning when he finally pulled his own car out of the driveway. In the next eight hours he stowed Whistler’s body in his farmhouse outside Richfield, returned home and scrubbed the foyer, then showered and drove to campus in time to teach his first class at eleven.

Rad’s farmhouse was half a mile from the nearest paved road, isolated by brush-choked ravines, a wide crescent of meadow, and fields of corn and soybeans where deer came to graze. Friends and strangers pestered Rad for permission to hunt there, but he always said no. The place was his refuge in hunger and rage and black depression. He loved its smell, moldy to the core, already a grave when he buried Whistler in the dirt cellar two days after killing him. He imagined the corpse decomposing, feeding the carnivorous roots of his house.

Nothing much happened in Richfield, so Robert Whistler’s disappearance was news. The local paper ran stories featuring his distraught family and his reputed ties to drug dealing. The cops claimed to be following up clues. Dave and his partner never returned to ask more questions, but Rad knew he’d pushed his luck far enough. After eight sweet captures and Whistler, it was time to stop. He would succumb to fate and become what he was meant to be, an anonymous loser. He would treasure the memories.

He let his hair grow.

Then Lisa had crossed his path. The moment he saw her, Rad had known he would follow her anywhere. Even to Utah.

Talion

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Genre – Thriller / Horror

Rating – R

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Connect with  Mary Maddox on Facebook & Twitter

Website http://marymaddox.com & http://www.ancientchildren.com/

Saturday, November 16, 2013

#AmReading - The Favor by Megan Hart @megan_hart

The Favor by Megan Hart

Amazon

With characteristic compassion and searing honesty, MEGAN HART weaves a shattering small-town story about what can turn brother against brother, and the kinds of secrets that cannot remain untold.

Janelle Decker has happy childhood memories of her grandma's house, and even lived there through high school. Now she's back with her twelve-year-old son to look after her ailing Nan, and hardly anything seems to have changed, not even the Tierney boys next door.

Gabriel Tierney, local bad boy. The twins, Michael and Andrew. After everything that happened between the four of them, Janelle is shocked that Gabe still lives in St. Mary's. And he isn't trying very hard to convince Janelle he's changed from the moody teenage boy she once knew. If anything, he seems bent on making sure she has no intentions of rekindling their past.

To this day, though there might've been a lot of speculation about her relationship with Gabe, nobody else knows she was there in the woods that day…the day a devastating accident tore the Tierney brothers apart and drove Janelle away. But there are things that even Janelle doesn't know, and as she and Gabe revisit their interrupted romance, she begins to uncover the truth denied to her when she ran away all those years ago.

Author Interview – Carla Woody @CarlaWoody1


What is a typical day like for you as a writer? I’m definitely a morning person and have a ritual that sets my day. I usually get up before dawn, feed the cats, have a cup of coffee, and meditate for 20-30 minutes. I’ve been doing it, in that order, for nearly thirty years. Then I start writing if I have a project, or other work. Several years ago I put Joseph Campbell’s writing practice in place: at least three hours a day. It became automatic, and often the time extends itself without me noticing.
What interests you about writing fiction? I’m most interested in teaching stories. The reader learns or resolves something themselves through identifying with different characters, in the course of being entertained. As the writer, the same is true for me. The process is magical to me. It’s like a movie unfolds in front of me, and I just write it down. It’s particularly surprising when a new character appears to take me somewhere I hadn’t imagined.
What do you hope people will take away from your writing? How will your words make them feel? Since the majority of what I write has to do with the Hero’s Journey, as mythologist Joseph Campbell so beautifully relayed in his work, my intent for readers is they recognize the Hero in themselves. We’re all on this evolutionary journey to different degrees. Ultimately, I hold that readers find inspiration, and more so, ways through tricky places, perhaps by identifying with my fictional characters or the examples from real people in my nonfiction books.
How do you come up with an idea for a new novel? The ideas present themselves. It may be something I want to explore myself, or a point I want to get across.
Are you traditionally published or self-published? Why did you choose that path? I’ve published articles through professional journals and magazine since the early 1990s. When it came to my books, I specifically chose to self-publish through Kenosis Press, my own small press, for these important reasons: 1) they never go out of print; 2) the publishing process is truncated; 3) I have control over the content. Since my books are vehicles for my work, I continue to feel this is important.
How do you work through self-doubts and fear? I’ve gone through quite a process in the last 25 years. I felt like I was on a high-speed train going through one station after another, dropping things off and picking up others along the way until I realigned my life for a right fit.
This is what I’ve noticed. When I’m ready to go through a threshold—the next evolution—the residue of whatever fears may still be present becomes strongest, They can present themselves through critical internal voices, body stresses, or even dreams. I know that any of these are just internal signals that I’m moving out of what has been familiar. I’ve seen this to be true for virtually anyone.  I do some objective exploring to see if there’s any validity to the messages. If so, I fine-tune but move forward if it’s a direction that’s beneficial. I tell my mentoring clients that it’s actually a marker of progress! Intent will prevail and the fears lessen over time as you get used to the (now) familiar.
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Preston Johns Cadell is tormented. He attempts to outrun discontent and the void in his heart. His mother is hardly around. His father’s origins and disappearance are shrouded by family secrets. His sole remembrance of his father is flying through the stars nestled in his arms.
Any comfort Preston derives is from an unseen advisor who teaches him of the invisible world. Now he is coming of age. Memories arrive from long ago when a brown-skinned woman cared for him. But she, too, vanished. Finding the buried remains of his father’s altar, Preston must answer the draw to his destiny, to discover his lineage–even though he has no idea how or where it will lead him.
Portals to the Vision Serpent is a Hero’s Journey into the realms of shamanism and the Maya world. Interwoven are the struggles of indigenous peoples to preserve their way of life and tragedies that often come from misunderstandings. Through a family saga of dark wounds and mystery, spiritual healing unfolds.
The author donates 10% of profits from book sales to Kenosis Spirit Keepers, a 501(c)3 nonprofit she founded whose mission is to help preserve Native traditions in danger of decimation.
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Genre –  Fiction / Coming of Age / Historical
Rating – PG
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Connect with Carla Woody on Facebook  & Twitter















Thursday, November 14, 2013

Author Interview – Rachel Thompson

What’s your favorite place in the entire world? London.

Do you recall how your interest in writing originated? My 4th grade teacher read us The Secret Garden by Frances Hodgson Burnett and that was it – I was hooked. To this day, I love that book.

When and why did you begin writing? At age 10 and throughout my life. Professionaly, in 2008 for publications and my blog. Published since 2011.

When did you first know you could be a writer? When I made my tough guy biology teacher cry with a poem I wrote.

What inspires you to write and why? I love music – the darker and moodier, the better. Rain, also.

What genre are you most comfortable writing? Definitely nonfiction, but I’m also working on fiction at the moment.

What inspired you to write your first book? I started blogging in 2008 and when I started writing my Mancode essays, people begged for more. I didn’t even think anyone besides my mom read my blog at the time so it was thrilling.

What do you consider the most challenging about writing a novel, or about writing in general? The dichotomy between marketing and writing. By the time you’ve released a book, you’re already entrenched in the next one. So wearing different hats can be difficult.

Did writing this book teach you anything and what was it? Writing Broken Pieces was an experience in writing raw, as author Rebecca Tsaros Dickson (Say My Name) calls it. Like the Lorrie Moore quote above, don’t think about anyone else’s opinions. This is MY work. I hope people like it but ultimately, I write what I want to read.

Do you intend to make writing a career? It is definitely my career, in addition to my business, BadRedhead Media (social media and author marketing).

Have you developed a specific writing style? In my humor books, I take stereotypes and deconstruct them with satire (which some take literally but that’s okay). In my serious nonfiction, I’m extremely honest in my thoughts and feelings. In both cases, I often say what others only think.

What is your greatest strength as a writer? Like I mentioned above, delving into that which most people hide and sharing it.

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Genre – NonFiction

Rating – PG13

More details about the book

***See why A Walk In The Snark won Best Runner-up 2012 Nonfiction Virtual Book Fair Indie Book Awards!***

**See Thompson’s first book and decide for yourself if you love it — or hate it!

Thank YOU for making A Walk In The Snark a #1 Bestseller on multiple charts including Motherhood, Parenting & Family, Family Relationships, Advice/How-To, Women’s Studies and more! AND a Top 100 Overall Paid bestseller!

Be forewarned — the material in this collection has been called controversial in nature. It is a relationship book based on the author’s popular blog. There are recurrent themes regarding men and women, love and loss, romance and parenting. This is intentional. 

It’s not ALL humor, but it IS all honest. Can you handle the snark?

Sometimes I think I’m too jaded. Then I think no, it’s just the lighting.

Praise for A Walk In The Snark – now a #1 Bestseller!
5 of 5 stars!

The commonalities we all share is what makes this book spark to life. - Tony Eldridge, Author, The Samson Effect

Thank you for making the lives of women and men more intelligible, Rachel, and for making us laugh at ourselves! - Berit Ellingsen, Author, The Empty City

Rachel believes “Men are from Seinfeld, Women are from Friends,” and so do her legions of fans. She dares to ask “Why do men want to change the world, but can’t change a roll of toilet paper?” Are you offended easily? Take satire literally? Don’t buy this book. 

See why everyone is buying this book! Mancode, Chickspeak, and much, much more!  See why critics love it! 

More praise:

5/5 Stars:  Crisp, cutting, and caffeinated. A gem of a read. ~Rebecca Tsaros Dickson, Author, I Could Tell You Stories; Editor-In-Chief, Indie Ink

The author’s wicked sense of humor sprinkles every day stories of relationship angst with spicy hot pepper with keeping it real adventure. ~Bonnie Jean Adams, Chicago Culture And Events Examiner

Want to know why this book reached #1 on the Kindle Motherhood list (and Parenting & Families, and Women’s Studies and…) and is still a mainstay months and months later?

Buy Now @ Amazon

Genre – Humor / NonFiction

Rating – PG13

More details about the author

Connect with Rachel Thompson on Twitter & Facebook

Buy Now @ Amazon

Genre – NonFiction

Rating – PG13

More details about the book

Wednesday, November 13, 2013

Children of the Knight by Michael J. Bowler @BradleyWallaceM

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WITHIN the Hollenbeck station, Ryan and Gibson stood before a large map of Los Angeles. Placed at varying points within the map were pushpins of differing colors. Both men noted the locations of the pins, attempting to triangulate from where the mysterious tagger might be coming.

“The guy’s gotta live someplace, Gib,” Ryan grumbled, chewing on a pencil, “and it’s likely somewhere centralized. How else could he be hitting these different ’hoods and vanishing without a trace?”

Gibson shook his head, slightly loosening his tie and collar. He always wore a tie to work, ever since his promotion to detective. He believed the look made him more respectable in the eyes of superiors and perps alike. Ryan, on the other hand, preferred the rumpled look: open collar, wrinkled brown or beige jackets, khaki Dockers, ratty sneakers. He’d been with the department so long he didn’t give a rip what anyone thought. Truth be told, that was what Gibson liked most about him.

“If he does, and anyone knows where, they’re not talking,” Gibson remarked. “I think we’ve been getting the truth, Ry. My gut tells me this guy’s a loner. Got his own private agenda going on out there.”

Ryan turned from the map to face his partner, talking around the pencil between his teeth. “I agree. Which will make him that much more of a bitch to apprehend.” He snapped the pencil in two with his teeth and spat the pieces onto his desk. “Hell, we don’t even have a description! This guy’s a freakin’ shadow man.”

Ryan hated weird cases like this one, and Gibson knew that about his partner. Ryan liked cases nice and clean. Murder for hire. Drive-by. Domestic abuse. Murder-suicide. Standard-issue stuff. But this case, hell, it was going nowhere and the mayor’s office had begun riding them for a quick resolution.

“Any brilliant ideas, Gib?” Ryan asked, grabbing another pencil and absently gnawing on the eraser end.

Gibson took the pencil from his partner and tossed it on the desk. “Yeah, Ry, we go home. Look around you, partner. It’s late, and there’s nobody here but us. I gotta call my son, and you’ve gotta get some rest before you eat every pencil we have.” He tried a smile, but fatigue turned it into a grimace.

Ryan sighed, reaching for his rumpled tweed jacket hanging from his chair. “You’re right. Ain’t gonna accomplish anymore tonight. Maybe a new day will give us new ideas, or there’ll be another riot to put down.” He grinned wryly.

“Let’s hope not. Last two weeks have been quiet. If we’re really lucky, this guy’s left to pick on some other city, like New York.”

Ryan chuckled. “Doubt we’d get that lucky.”

The two exhausted men slowly trudged from the station, leaving the night skeleton crew to take care of business.

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Children of the Knight

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Genre – Edgy Young Adult

Rating – PG13

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Connect with  Michael J. Bowler on Facebook & Twitter

Website http://michaeljbowler.com/

Tuesday, November 12, 2013

#Harder Than the Rest by Shirleen Davies @ShirleenDavies

Harder Than The Rest

“They are men you want on your side. Hard, confident, and loyal, the MacLarens of Fire Mountain will seize your attention from the first page.”

Will MacLaren is a hardened, plain-speaking bounty hunter. His life centers on finding men guilty of horrendous crimes and making sure justice is done. There is no place in his world for the carefree attitude he carried years before when a tragic event destroyed his dreams.

Amanda is the daughter of a successful Colorado rancher. Determined and proud, she works hard to prove she is as capable as any man and worthy to be her father’s heir. When a stranger arrives, her independent nature collides with the strong pull toward the handsome ranch hand. But is he what he seems and could his secrets endanger her as well as her family?

The last thing Will needs is to feel passion for another woman. But Amanda elicits feelings he thought were long buried. Can Will’s desire for her change him? Or will the vengeance he seeks against the one man he wants to destroy—a dangerous opponent without a conscious—continue to control his life?

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Genre – Western Historical Romance

Rating – PG-13

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Closing The Gap: Understanding Your Service (Wo)man - Yvonne Jones @yvijones

CHAPTER 2: WHO WE ARE – WHO YOU ARE
WHO WE ARE
“MILITARY FAMILY”
In order to explain to you what a military family is, let’s look at the applicable creed and motto your service(wo)man is encouraged to live by.
Due to its prominent use in different forms of entertainment, such as movies and songs, the Rifleman’s Creed is often mistakenly thought to be the creed of all military branches. Each branch within the military, however, has its own creed, which are depicted below.
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Those creeds and mottos reflect the pride, beliefs, and top priorities of your service(wo)man. Those beliefs, are the driving force that keep your service(wo)man going during inspirational acts of bravery and sacrifice, during periods of long separations, danger and fear of injury and loss. Military service penetrates and influences the entire family to an extent unmatched by civilian employment. Military life is hard to describe, but ultimately, it is a “way of life” as opposed to a job or a career. Military life is not an easy life, and is most certainly not for everyone. But most of us wouldn’t want to change who and what we are. We travel all over the world and meet some truly amazing people along the way with whom we create lifelong, lasting friendships. But who are “we”?
Closing The Gap
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Genre – Military Family
Rating – G
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