Jack Canon's American Destiny

Broken Pieces

Tuesday, November 5, 2013

Thirty Scary Tales by Rayne Hall @RayneHall

THE DEVIL YOU KNOW

Lucie clutched the pole by the exit, willing the train to go faster, urging it to take her further away from Jake.

“May I see your tickets?” singsonged a male voice. “Tickets, please.”

While the seated passengers dug into pockets and rummaged through bags, Lucie reckoned she had about two minutes before she was found out.

She was in luck: The train slowed and hummed to a halt. She pushed the “open” button and jumped out.

The place was dark and deserted, one of those small unstaffed stations. Behind her, the doors beeped and whooshed shut. The train accelerated with a growl and vanished into the night.

A rust-streaked sign proclaimed that she had reached Seelsden: merely five villages from where she had left. Her heart was still thudding from her escape, her mind reeling from the confrontation with Jake, and her thoughts churning in a jumbled mess, but she knew she had to hop onto the next train and this time try to get further.

In the sickly light of a wall lamp, she scanned the time-table poster. Only one train served Seelsden at night: the 11.36pm that had just rumbled away. After that, no trains stopped here until 6.42am.

The small station building was unlit, the door to the waiting room locked. At the contact point - “For Information And Enquiries, Press Here” - a cardboard sign said “out of order.”

She hugged herself against the chill and rubbed her bare arms. Now what?

An empty coke can rattled across the concrete, a crisp wrapper rustled along the track, and somewhere in the distance, a motor whined.

The hamlet of Seelsden was a mile away on that gloomy hill. A lone female trudging up there would put herself at risk from motorised predators, and even if she got there, where would she go? She had no money for a hotel – assuming that the village had one, which was unlikely. Other doors would remain locked. People around here did not open the door to strangers after 8pm, and those who did had unsavoury intentions.

It was safer to stay on the platform, a semi-public place where she could see anyone approaching.

Overhead lamps soaked the station platform in their sulphurous light. The station clock ticked 11.50.

Claws of tiredness spiked at her brain. A warm bed, a cosy duvet, a safe place to spend the night... but there were only the benches along the single platform, with their hard white metal and curving backs. One of them would have to do for the few hours until dawn. She did not need to be comfortable, she just needed sleep.

Lucie picked the one least soiled by pigeon droppings and grime. The metal was cold, and the chill seeped through the thin fabric of her dress into her flesh.

It had been stupid to run away unprepared. She should have kept a bag packed, saved some money, identified places to stay. Instead, she had clung to her denial and her hopes that Jake would mend his ways, until she had no choice and she had to flee without even the chance to grab a jacket.

The jaundiced lamp glowed its disapproval.

If she had had any sense, she would have seen the danger signs as soon as she moved in with Jake – the satisfied pleasure with which he crushed that moth, the way he kept the spider trapped in a glass for weeks before he squashed it, the way his blue eyes gleamed when rough bedroom games escalated in violence – but she had clung to her denial, had shut out the truth even when it banged on her mind and demanded entry. Until tonight, when he had tried to...

No. She would not think about that.

She wanted to curl into a ball with her knees against her chest to keep warm, but the bench was too narrow for that. Cigarette stubs crammed into the gaps still stank of nicotine.

Denial followed by panic - this had always been her mistake. She could see the pattern now. When the lycée discriminated against girls, she meekly accepted it – and then one day she dropped out. When her father's new wife made her life hell, she suffered in silence – and then ran away. When the father of the family where she worked as an au pair made lascivious remarks, she ignored them, but when he tried to paw her, she freaked out, packed and left.

Each time, she could have made a formal complaint, given notice, taken her time to find a better way out. But each time she had denied, then panicked, and each time she had landed in a worse mess.

Midnight. Clouds flitted like pale ghosts across the sliver of moon. In the thicket that flanked the platform, rodent feet scurried.

She had to get some sleep. Dawn would bring warmth, light and clarity of thought.

Not far away, an animal howled. There were no wolves in England, she reminded herself. It had to be a dog. She turned to find a position of acceptable discomfort, one arm under her head and the other across her eyes, blocking out the light.

She woke, shivering. After a moment's disorientation, she realised where she was, and why. What a stupid situation to get into! At least it was over. But wait: the station clock said 2.13 - still four and a half hours before she could get into a train.

A pair of yellow eyes stared, flickered, vanished. There, again. Did England really have no wolves? Hadn't she read somewhere about wolves and foxes spreading into towns? And then there were exotic illegal pets, and big cats escaped from zoos.

Her pulse pounded in her throat. What if it was a hungry panther in search of easy prey? A thousand ants seemed to crawl over her skin.

Why hadn't she stayed on that train? Why hadn't she stayed at home?

Silence. Wind swished through the treetops.

She needed to go to the loo, really bad. But the railway companies had closed station toilets. Cost saving, budget cuts.

Another four hours before the train would take her away. And then, what? She still had no money, still had nowhere to go.

At least, the train would have a toilet. Probably. But could she hold out until then? The pressure on her bladder increased. Sleep wouldn't come back until she had a pee.

She squatted by the metal fence at the edge of the thicket, releasing a hot stream. Nothing stirred in the undergrowth. No eyes, no animal. She had imagined things because of her overwrought nerves. Already, she felt better. Even her panic about Jake subsided, and her thinking grew rational.

Running away like this had been stupid. If she had held out just a few more hours, she could have left in the morning with her clothes, with some money, with a proper plan.

Had she submitted until his violent lust was spent, she would have some bruises, but she would be lying in her own bed, cosy and warm.

Silly panic. How could she have thought Jake would kill her? He had different erotic tastes and sometimes he got carried away, that was all. She should have talked with him about her concerns and explained that they were not compatible. They could have had a rational discussion and broken up civilly. No need to panic, no need to run like a madwoman, no need to spend the night on a platform bench.

Those eyes again. And a second pair. Lucie's breath stalled, and fear clenched like a tight fist around her chest.

If only she had a weapon! That empty coke can over there – but it wouldn't help much even if she could reach it.

She lowered her lids, hoping this made her own eyes less visible to the beasts. But they had probably already taken her scent and were waiting to pounce. Would the metal fence keep them out? The bars were a handspan apart; too narrow for a big animal to squeeze through, she hoped. Another five minutes ticked by. Six.

She tried to hold absolutely still, so the predators would not see her move. How ironic: by fleeing from Jake, she had put herself in real danger. Instead of beaten by an intemperate lover, her flesh would be ripped by wild beasts.

If Jake were here, she would not be frightened. He would chase away the beasts, real or imagined.

A motor vroomed down the road. Twigs cracked, and when she opened her eyes a crack, the four gleaming pupils had vanished as if they had read her thoughts.

Where were the eyes now? Did she dare hope they had left? She breathed into her abdomen to still her racing heart. If she could get through the night, she would be more sensible in the future. She would talk things through with the persons concerned. No more rash running.

The night grew colder still, and the station clock seemed paralysed, taking an eternity to advance by even one minute.

Wind rustled the leaves in the thicket, and the bushes seemed filled with flickering eyes - a trick of the moonlight glinting of pale leaves. As usual, she had overreacted, worked herself into a pointless panic. She had to get a grip on herself and stop indulging in silly fears.

Tiredness gritted her eyes and blocked her thought, and she must have slept, because when she looked again, the clock stood at 3.04. The bench had grown harder still, and the temperature had dropped beyond what any human would willingly endure. She rubbed her feet, trying to massage life into her icy toes.

Faint nausea rose from her stomach, and a headache threatened to split her skull. She remembered the week when she was ill, too sick to leave the bed. Jake had taken care of her, feeding her dry toast and sips of water, washing her limbs, emptying the vomit bowls, all with an angel's patience and a lover's tenderness.

A motor stuttered to a halt, a car door slammed.

Her mind raced through scenarios in which someone would drive to a deserted railway station where no train stopped at night. None of them was reassuring.

Heavy steps thudded on the tarmac, came closer.

It was best if the person did not see her here. She squeezed tighter against the curved back of the bench, the icy metal pressing into her cheek.

Thud, thud, thud.

Bunched keys jingled with every harsh step.

“Lucie?”

Jake! A warm wave of relief swept through her.

“Thank heaven, I've found you. I've searched everywhere.” The familiarity of his firm, gentle voice enveloped her.

His shirt was unevenly buttoned, and stubble shadowed his jaw. He slipped off his leather jacket and draped it over her shoulders. “I've been worried sick. In the car, I have a thermos with hot tea.”

She followed him out of the station gate to the car park. “I'm sorry I overreacted. When I saw that rope... I thought.. I panicked....”

“It's my fault, Lucie,” he said gently. “I should have explained what I was doing. Of course you were frightened. We need to talk. But first, I'll take you home. You look like you could do with some sleep.”

He held the passenger door open and waited until she had sunk into the seat. The familiar smells – pine air freshener, fish & chips, milky tea - hugged her with their familiarity. Her mind sank into drowsy warmth.

Their relationship was doomed, she would tell Jake that. But she appreciated the trouble he had gone to to find her, and she would tell him that too. In her own time. No rush.

He got in on the driver's side, pulled his door shut, and snapped the central locking.

“Look at me, Lucie.” His blue eyes gleamed, and his smile bared teeth. “See what I've brought.”

His hands held the thumb-thick rope.

Thirty Scary Tales

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Genre – Horror

Rating – PG-13

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Author Interview – Yvonne Jones @yvijones

If you could leave your readers with one piece of wisdom, what would you want it to be?

Stay close to your military family, for they truly need you!

What is the purpose of your book “Closing the Gap: Understanding Your Service(wo)man?

The book’s title is “Closing The Gap: Understanding Your Serviceman” (woman). Its principal purpose is to reconnect military families with their non-military friends and family members. It is meant to help civilians learn more about the life within the military to better understand their own service member.

Fact is that there currently is a big divide between those who protect our freedoms and those who are being protected.

The book is meant to be part of a much bigger plan or picture: While I obviously do not have any high-profile impact on any decision makers, I do have access to everyday citizens. I believe that the key approach in closing this gap should be to utilize and strengthen the connections that ALREADY exist between the military and civilian worlds: the connections between military families and their OWN extended non-military families and non-military friends; which, in turn, might extend to a better understanding within the entire population.

Are there really differences between Military Families and Civilian Families?

I have seen and read through a L-O-T of forums that were trying to answer this very question. People get really passionate when it comes to defining themselves.

I personally believe that we, as military families, ARE different from non-military families, whether this difference is acknowledged or not. Different in many aspects, but mainly in the burdens we carry and the sacrifices we make as an entity, and we are simply different in the way we live.

Why is it important that others know/understand military families?

A very good question. You know, we love our own non-military friends and extended families. And BECAUSE we love them, we want them to be part of our lives. So it’s only understandable and natural that we also want them to UNDERSTAND our way of life.

BECAUSE the military is such a relatively small body right now, the more or less only remaining substantial connection that currently exists between the military and the rest of the American society is the one found between military members and their civilian families and friends. And that’s why we have to nourish this connection. And I believe we can do this best by helping them to learn more about us.

As for understanding from outside our own circles of friends and families, I believe knowing more about military families is important in that people only seem to support what they believe in and what they understand.

People need to understand the stresses military life imposes on the entire military family, not because we want pity, but because we want to instill a sense of shared sacrifice and share the emotional price we have to pay during difficult years.

It is all too easy to ask others to make certain sacrifices known only to military families, if the consequences of such are not understood. Adequate support needs to be provided, veteran benefits protected, military pay maintained, and retirement benefits upheld. All this is only possible with the public’s understanding.

So, understanding is especially important in times like this, where budget cuts need to be decided upon and implemented. Without the American citizens’ understanding of what their military is doing and sacrificing, it is much easier for them to support military budget cuts.

It is for those reasons that Americans’ support and understanding are more important than ever before. The level of understanding won’t ever truly be complete, of course. But, in my mind, even a tiny trace of understanding, a hint (if you will), is worth the effort (to try to promote understanding).

Closing The Gap

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Genre – Military Family

Rating – G

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Website http://www.understandingyourserviceman.com/

Monday, November 4, 2013

Author Interview – Colin Falconer @colin_falconer

Image of Colin Falconer

If you could have a dinner party and invite anyone dead or alive, who would you ask?

First person I’d ask is that amazing British chef, Heston Blumenthal – I’d send him into the kitchen to cook. Leonardo da Vinci so I could ask him if he created the Shroud of Turin. Elvis Presley, to find out whether he really is still alive. Shakespeare: I’d get him drunk and find out if he had any great ideas he wasn’t able to develop before he died, and if he did, I’d steal them. I’d also invite my dog, Scout, she died about 8 years ago. I’d give her all the titbits I never gave her when she was alive because I didn’t want her to get fat. I’d let her eat all she wanted and steal stuff off the table. Oh, and Cinderella to clean up afterwards.

What do you hope people will take away from your writing? How will your words make them feel?

A passion for life and for making every second count.

What movie do you love to watch?

I watch what I like to write – the big historical epics – Gladiator, The Last Samurai, Dances with Wolves, Gone with the Wind.

How do you feel about social media websites such as Facebook and Twitter? Are they a good thing?

I think they’re great to establish and develop connections with your readers. I love that I can talk to my readers now, it was so much harder than the old days when letters to my publishers would take weeks sometimes months to get to me. It’s also great to make connections with other writers. But I think there’s a real danger of spending all your time on social media instead of spending your time writing books. It can be a great time waster. Most writers procrastinated enough before social media came along!

How do you think people perceive writers?

People either think I spend all day drinking coffee, having deep conversations about Hemingway with John Grisham and driving supermodels around in a Ferrari or they look at me with genuine pity, assuming I survive on benefits. There’s rarely any middle ground.

Isabella

She was taught to obey. Now she has learned to rebel.

12 year old Isabella, a French princess marries the King of England – only to discover he has a terrible secret. Ten long years later she is in utter despair – does she submit to a lifetime of solitude and a spiritual death – or seize her destiny and take the throne of England for herself?

Isabella is just twelve years old when she marries Edward II of England. For the young princess it is love at first sight – but Edward has a terrible secret that threatens to tear their marriage – and England apart.

Who is Piers Gaveston – and why is his presence in the king’s court about to plunge England into civil war?

The young queen believes in the love songs of the troubadours and her own exalted destiny – but she finds reality very different. As she grows to a woman in the deadly maelstrom of Edward’s court, she must decide between her husband, her children, even her life – and one breath-taking gamble that will change the course of history.

This is the story of Isabella, the only woman ever to invade England – and win.

In the tradition of Philippa Gregory and Elizabeth Chadwick, ISABELLA is thoroughly researched and fast paced, the little known story of the one invasion the English never talk about.

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Genre – Historical Fiction

Rating – PG-13

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Connect with Colin Falconer on Facebook & Twitter

Website https://colinfalconer.wordpress.com/

Sunday, November 3, 2013

What Lies Inside by J.L. Myers @BloodBoundJLM

CHAPTER ONE

My mind screamed for me to move. To fight the monster who trapped me with its arms. But my body remained paralyzed, a prisoner of flesh and bone. It wasn’t fear. I knew that much. Inside I was striking out with limbs, nails, and teeth. But any connection to actual movement was lost. My whole body felt like it was filled with cement.

Parted lips closed in on my neck. My eyes darted around, desperate to find a way out of this. Darkness stretched beyond the waning light of a naked bulb. There was a single door, then nothing but damp stone and shadow. The stink of death and decay hung thick in the air. Horror seeped through my veins.

There was nothing I could do. No way to stop this. No way to save my life.

The sound of labored breath rasped. Not my own. Not this monster’s. In the shadows it was impossible to see where it came from. Was someone watching? Fear snaked through my soul. The fear wasn’t for my own life, not really. I was afraid for someone else. But who?

Any thoughts vanished as fangs punctured my flesh. A gasp escaped my lips.

Flames bloomed from the punctures, swarming across my skin. The monster clutched my body tighter and tighter with every sickening gulp.

As the flames began to dull, my internal screams and my drive to fight faded. Without the current of blood filling my veins, violent shivers took hold of my entire body.

My body was giving up.

With shallow contractions, my heart slowed. My mind wavered as my body began to fail. The crushing pain of imminent death faded. As my eyes fluttered shut, a memory of the boy I loved floated across the backs of my eyelids. I saw his dejected expression. I felt the moment he had crushed me against his body, covering my lips with his. Then I heard the words he had spoken for the very first time. “Amelia, I love you.”

An icy tear escaped my eye. Now he would never know the truth. Never know that my feelings for him were still as irrefutable and irrevocable as ever. Never know that I would give anything just to be in his arms and feel the warmth of his kiss one last time. The realization was more agonizing than knowing my fate now, more agonizing than any lingering pain.

I love you too. The memory faded, dissipating like a cloud of smoke.

The room began to blur and spin. Unable to blink, my eyes stared up at the dusty light bulb. Blood loss pressed in on me. I was so deathly cold. The edge of my vision turned black, light being eaten away by a stain like blotted ink. Then empty darkness took hold.

This is it, I thought. I’m dying.

~

What Lies Inside

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Genre – YA Paranormal Romance

Rating – PG-13+

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Connect with  Jessica Myers on Facebook & Twitter

Website http://bloodboundnovels.com

Friday, November 1, 2013

Family Drama 3-in-1 Box Set by Jessica Bell @MsBessieBell

JessicaBell
STRING BRIDGE:
Rewind.
Melody loves to play guitar. She almost becomes a rock star. But then she falls in love with Alex and gives birth to her daughter, Tessa.
Fast forward.
Melody loves her daughter and her husband, the music promoter. Her guitar sits dusty in the corner of her bedroom.
Skip.
Melody can't bear it any longer and plots a return to the stage, and the person she used to be. But the obstacles she faces along the way--are nothing--compared to the tragedy that awaits.
Pause.
Her desire to have an affair? Well, Button Boy is quite charming ...
THE BOOK:
This book is not The Book. The Book is in this book. And The Book in this book is both the goodie and the baddie.
Bonnie is five. She wants to bury The Book because it is a demon that should go to hell. Penny, Bonnie’s mother, does bury The Book, but every day she digs it up and writes in it. John, Bonnie’s father, doesn’t live with them anymore. But he still likes to write in it from time to time. Ted, Bonnie’s stepfather, would like to write in The Book, but Penny won’t allow it.
To Bonnie, The Book is sadness.
To Penny, The Book is liberation.
To John, The Book is forgiveness.
To Ted, The Book is envy.
But The Book in this book isn’t what it seems at all.
If there was one thing in this world you wished you could hold in your hand, what would it be? The world bets it would be The Book.
BITTER LIKE ORANGE PEEL:
Six women. One man. Seven secrets. One could ruin them all.
Kit is a twenty-five-year-old archaeology undergrad, who doesn’t like to get her hands dirty. Life seems purposeless. But if she could track down her father, Roger, maybe her perspective would change.
The only problem—Roger is as rotten as the decomposing oranges in her back yard according to the women in her life: Ailish, her mother—an English literature professor who communicates in quotes and clichés, and who still hasn’t learned how to express emotion on her face; Ivy, her half-sister—a depressed archaeologist, with a slight case of nymphomania who fled to America after a divorce to become a waitress; and Eleanor, Ivy’s mother—a pediatric surgeon who embellishes her feelings with medical jargon, and named her daughter after "Intravenous."
Against all three women’s wishes, Kit decides to find Roger.
Enter a sister Kit never knew about.
But everyone else did.
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Genre - Contemporary Women's Fiction
Rating – PG-13
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#Free – The Mummifier’s Daughter by Nathaniel Burns @burns_writer

The Mummifier’s Daughter by Nathaniel Burns
Genre – Historical Fiction
Rating - G
3.6 (63 reviews)
Free until 5th November 2013
Ancient Egypt, 1233 BC
This is Young Neti-Kerty‘s dream: To follow in her father’s footsteps and become the first femalemummifier in Thebes.
Shabaka, the secretive Prefect, the Pharaoh’s special envoy charged with
combating crime in the capital of the Pharaoh’s empire, also often makes use of Neti Kerty’s special talents. With her powers of
deduction and knowledge of the dead, she has already helped solve many crimes.
But then the unimaginable happens. Her parents are cruelly murdered, and Neti-Kerty’s small, idyllic world shatters. Together
with Shabaka the Prefect, she embarks on the search for her parents‘ murderer. Surviving
many shared adventures, they stumble upon a monstrous conspiracy...
The Mummifier's Daughter carries us back to a land steeped in gods, god-kings, ritual and magic. It paints for the reader a
detailed picture of Pharaonic Egypt in all its shadowed glory. Faithfully recreating one of
the most remarkable eras in Egypt’s history, bestselling author Nathaniel Burns weaves a shudderingly ominous tale of ancient
Egypt’s mysteries with a cast of characters the modern reader will recognize even
though millenia have passed.
So light up the incense, sit close to the light and draw back the curtains on the shadowed past with this
gripping tale of
love and intrigue among the living and the dead in one of history’s most intriguing civilizations.

Author Interview – Rayne Hall @RayneHall

Image of Rayne Hall

When did you first know you could be a writer?

As soon as I discovered that there were people who wrote books I wanted to become one of them.

Who designed the cover?

I commissioned an artist, Xteve Abanto, to paint an image for Thirty Scary Tales. I didn’t want the usual blood-dripping axe and gory grinning head so often seen on horror covers, because my stories aren’t violent and gory. Creepy, atmospheric, spooky, attractive, eerie, scary… that’s what I asked Xteve to convey visually. He came up with this head of which he says “It scared the shit outta me.”

Will you write others in this same genre?

Definitely. I’ve had several horror books published and plan to write many more. I enjoy scaring readers.

Do you have any advice for writers?

Learn the writing craft and master it to the highest standard you’re capable of, so your books are as good as you can possibly make them. Use instruction books, classes, workshops, critique groups, beta readers, mentors, whatever suits you. Make your books stand out because of their quality.

What books did you love growing up?

My first real book was a beautifully illustrated collection of Grimm’s Fairy Tales, followed by a book with life history of saints, including details of their martyrdom  – gruesome stuff!  When grown-ups asked me what I wanted to be when I grew up, I replied “A robber or a saint.” However, the robbers in the fairy tales were always male, and sainthood seemed to require martyrdom. I didn’t like the idea of burning alive or getting torn by lions in the arena, so that option was out, too. Then I discovered that people wrote books, and I decided that being a writer sounded less painful and more fun.

In my early teens, I loved the historical novels by Rosemary Sutcliff and Hans Baumann. I also read a lot of Karl May. Although Karl May (1842 – 1912) is almost unknown in the English-speaking world, he is popular in Germany. I loved his atmospheric descriptions of exotic places where he had never been. His approach has definitely influenced my novels, especially Storm Dancer.

In my early teens, I discovered a book with stories of Edgar Allan Poe. They were so exciting! I started writing horror stories at once. They didn’t have much plot and blatantly copied Poe’s style, but at the time I thought they were really good.

Thirty Scary Tales

Thirty creepy, atmospheric stories by Rayne Hall.

The horror in these stories is spooky, creepy, unsettling and sometimes disturbing. It is not very violent or gory; however, the stories may not be suitable for young readers without parental guidance. PG 13.

This book is a compilation of volumes 1-5 of the Six Scary Tales books. It includes the acclaimed stories Burning and The Bridge Chamber.

All stories have been previously published in magazines, ezines, collections and anthologies. British English.

Stories in collection include:
The Devil You Know, Greywalker, Prophetess, Each Stone A Life, By Your Own Free Will, The Bridge Chamber, Only A Fool, Four Bony Hands, The Black Boar, Double Rainbows, Druid Stones, Burning, Scruples, Seagulls, Night Train, Through the Tunnel, Black Karma, Take Me To St. Roch’s, Turkish Night, Never Leave Me, The Colour of Dishonour, Beltane, The Painted Staircase, I Dived The Pandora, Terre Vert and Payne’s Grey, They Say, Tuppence Special, Disturbed Sleep, Normal Considering the Weather, Arete.

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Genre – Horror

Rating – PG-13

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